Childstories.org
  • 1
  • All Grimm
    Fairy Tales
  • 2
  • Sorted by
    reading time
  • 3
  • Perfect for reading
    aloud
Hans Clodhopper
Grimm Märchen

Hans Clodhopper - Fairy Tale by Hans Christian Andersen

Reading time for children: 10 min

There was once an old country house, in which lived an old squire with his two sons, and these two sons were too clever by half. They had made up their minds to propose to the king’s daughter, and they ventured to do so, because she had announced that she would take any man for a husband who had most to say for himself. These two took a week over their preparations; it was all the time they had for it, but it was quite sufficient with all their accomplishments, which were most useful. One of them knew the Latin Dictionary by heart, and the town newspapers for three years either forwards or backwards. The second one had made himself familiar with all the statutes of the Corporations, and what every alderman had to know. So he thought he was equal to talking about affairs of state; and he also knew how to embroider harness for he was clever with his fingers.

“I shall win the king’s daughter,” they both said, and their father gave each of them a handsome horse. The one who could repeat the Dictionary and the newspapers had a coal black one, while the one who was learned in Guilds and embroideries had a snow-white one. Then they smeared the corners of their mouths with oil to make them more movable. All the servants were assembled in the court-yards to see them mount, but just then the third brother came up, for there were three, only nobody took any account of this one, Hans Clodhopper, as he had no accomplishments like his brothers.

“Where are you going wearing all your fine clothes?” he asked.

“To court, to talk ourselves into favour with the princess. Haven’t you heard the news which is being drummed all over the country?”

And then they told him the news.

“Preserve us! then I must go too,” said Hans Clodhopper. But his brothers laughed and rode away.

“Father, give me a horse. I want to get married too. If she takes me, she takes me, and if she doesn’t take me, I shall take her all the same.”

“Stuff and nonsense,” said his father, “I will give no horse to you. Why you have nothing to say for yourself, but your brothers are fine fellows.”

“If I mayn’t have a horse,” said Hans Clodhopper, “I’ll take the billy-goat, he is my own and he can carry me very well!”

And he seated himself astride the billy-goat, dug his heels into its sides, and galloped off down the highroad. Whew! what a pace they went.

“Here I come,” shouted Hans Clodhopper, and he sang till the air responded with it.

The brothers rode on in silence, they did not speak to each other, for they had to store up every good idea which they wanted to bring out later on, and their speeches had to be very carefully thought out.

“Halloo!” shouted Hans Clodhopper, “here I come; see what I’ve found on the road,” and he shewed them a dead crow.

“What on earth will you do with that, Clodhopper?” said they.

“I will give it to the king’s daughter.”

“Yes, I would do that,” said they, and they rode on laughing.

“Halloo, here I come; see what I have found; it isn’t every day one finds things like this on the road.” The brothers turned round to see what it was.

“Clodhopper,” said they, “it’s nothing but an old wooden shoe with the upper part broken off. Is the princess to have that too?”

“Yes indeed she is,” said Hans, and the brothers again rode on laughing.

“Halloo, halloo, here I am,” shouted Hans Clodhopper. “Now this is first rate.”

“What have you found this time?” enquired the brothers.

“Won’t the princess be delighted!”

“Why,” said the brothers, “it’s only sand picked up out of the ditch!”

“Yes, that it is,” said Hans Clodhopper, “and the finest kind of sand, too. You can hardly hold it.” And he filled his pockets with it.

The brothers rode on as quickly as they could, and arrived at the town gates a whole hour before him. At the gate the suitors received tickets, in the order of their arrival, and they were arranged in rows, six in each file, and so close together that they could not move their arms, which was a very good thing, or they would have torn each other’s garments off, merely because one stood in front of the other. All the other inhabitants of the town stood round the castle, peeping in at the windows to see the king’s daughter receive the suitors, and as each one came into the room he lost the power of speech.

“No good,” said the princess, “away with him!”

Now came the brother who could repeat the Lexicon, but he had completely forgotten it while standing in the ranks. The floor creaked and the ceiling was made of looking-glass, so that he beheld himself standing on his head; and at every window sat three clerks and an alderman, who wrote down all that was said, so that it might be sent to the papers immediately, and sold for a halfpenny at the street corners.

It was terrible, and the stoves had been heated to such a degree that they got red-hot at the top.

“It is fearfully hot in here,” said the suitor.

“That is because my father is roasting cockerels to-day,” said the princess.

Bah! There he stood like a fool; he had not imagined a conversation of this kind, and he could not think of a word to say, just when he wanted to be particularly witty.

“No good,” said the king’s daughter, “away with him,” and he had to go.

Then entered the second brother. “There’s a terrific heat here,” said he.

“Yes, we are roasting cockerels to-day,” said the king’s daughter.

“What did—what?” stuttered he, and all the reporters duly wrote “What did—what.”

“No good,” said the king’s daughter, “take him away.”

Then came Hans Clodhopper. He rode the billy-goat right into the apartment.

“What a scorching heat you have here,” said he.

“That is because I am roasting cockerels,” said the king’s daughter.

“That is very convenient,” said Hans Clodhopper; “then I suppose I can get a crow roasted, too.”

“Yes, quite well,” said the king’s daughter: “but have you something to roast it in? For I have neither pot nor pan.”

“But I have,” said Hans Clodhopper. “Here is a cooking pot.” And he pulled out the wooden shoe and put the crow into it.

“Why you have sufficient for a whole meal,” said the king’s daughter; “but where shall we get any dripping for basting it?”

“Oh, I have some in my pocket,” said Hans Clodhopper; “I have plenty and to spare,” and he poured a little of the sand out of his pocket.

“Now I like that,” said the princess; “you have an answer for everything, and you have something to say for yourself. I will have you for a husband. But do you know that every word we have said will be in the papers to-morrow, for at every window sit three clerks and an alderman, and the alderman is the worst, for he doesn’t understand.” She said this to alarm him. All the clerks sniggered and made blots of ink on the floor.

“Oh, those are the gentry,” said Hans Clodhopper; “then I must give the alderman the best thing I have,” and he turned out his pockets and threw the sand in his face.

“That was cleverly done,” said the princess, “I couldn’t have done it, but I will try to learn.”

So Hans Clodhopper became king, gained a wife and a crown and sat upon the throne. We have this direct from the alderman’s newspaper, but it is not altogether dependable.

Read another short fairy tale (5 min)

LanguagesLearn languages. Double-tap on a word.Learn languages in context with Childstories.org and Deepl.com.

Backgrounds

Interpretations

Linguistics

„Hans Clodhopper,“ a fairy tale by Hans Christian Andersen, is a humorous story about the value of wit and resourcefulness over conventional knowledge and accomplishments. The tale centers around three brothers, the sons of an old squire. The two older brothers are learned and accomplished, each possessing skills and knowledge they believe will win them the hand of the king’s daughter. The princess has declared she will marry the man who can most impressively talk his way into her favor.

The older brothers are confident in their abilities, prepared to dazzle the princess with their knowledge of dictionaries, newspapers, statutes, and embroidery. Despite their father’s approval and support, they ultimately falter when confronted with the princess’s unconventional questions and the intimidating environment of the suitor’s hall.

Hans Clodhopper, the overlooked third brother, lacks the scholarly and social accomplishments of his siblings but decides to pursue the princess anyway. His journey to the court is marked by his unexpected discoveries—an old wooden shoe, a dead crow, and sand picked from a ditch. These odd items, combined with his unpretentious and straightforward demeanor, become crucial in his interactions with the princess.

Upon reaching the court, Hans’s ability to think on his feet and his carefree attitude see him cleverly match the princess’s wit. He uses the seemingly worthless objects he picked up to engage in an amusing dialogue that endears him to the princess. His peculiar yet practical responses, such as suggesting he can use the old shoe to cook the crow and offering the sand as dripping, demonstrate his ingenuity and reflect Andersen’s theme of valuing simple cleverness over pretentious intellect.

Ultimately, Hans’s originality and humor win him the princess’s hand, overturning the expectations set by his more learned but less adaptable brothers. The tale concludes with Hans Clodhopper becoming king, suggesting that unconventional wisdom and an ability to improvise are sometimes more valuable than traditional intelligence or social standing. The story humorously celebrates the triumph of the underdog and the power of being oneself.

The fairy tale „Hans Clodhopper“ by Hans Christian Andersen offers a rich tapestry for interpretation, heavily laden with social commentary and the subversion of traditional norms.
The Fool Triumphs: At its most basic level, the story subverts the archetype of the clever suitor winning the princess. Hans Clodhopper, the seeming fool, outsmarts his more educated and sophisticated brothers by relying on his wit and ability to think on his feet. This suggests a critique of superficial intelligence and societal emphasis on learned knowledge over practical wisdom.

Critique of Social Expectations and Classes: The tale plays with the idea of social classes and expectations. Hans, riding a billy-goat, is underestimated compared to his brothers on their noble steeds. Yet, he is the one who wins the princess through his unique perspective and creative problem-solving. Andersen may be expressing that individuality and resourcefulness transcend social class.

Satire on Bureaucracy and Media: The story features clerks and an alderman writing down every word to be published, indicating a satirical critique of bureaucracy and media, portraying them as entities that often miss the essence of situations, obsessed with trivial details and spectacle.

Overcoming Ridicule through Self-Confidence: Hans Clodhopper is ridiculed by his brothers and receives no support from his father. However, he remains undeterred and confident in his approach. This aspect of the story could be interpreted as a message about the importance of self-belief and resilience in the face of mockery and doubt.

The Value of Simplicity and Sincerity: Hans approaches the impossible tasks in a straightforward and sincere manner. His „simple“ solutions appear absurd but reveal a deeper wisdom. This interpretation resonates with the theme that complexity isn’t always better and that there is beauty and effectiveness in simplicity.

Indictment of Conventional Wisdom: Both of Hans’s brothers prepare traditional methods to win over the princess, studying diligently within recognized systems. In contrast, Hans succeeds by eschewing these conventions and forging his own path, suggesting a criticism of blind adherence to convention and encouraging innovation and originality.

These layers of interpretation contribute to making „Hans Clodhopper“ not just a whimsical and humorous tale, but also a story with enduring moral and societal reflections.

Linguistic analysis of Hans Christian Andersen’s fairy tale „Hans Clodhopper“ can be approached from several angles, such as narrative structure, character portrayal, language use, and thematic elements.
Here’s an analysis focusing on these aspects:

Narrative Structure

Opening and Setting: The tale begins with a traditional opening, setting the stage in a familiar setting: an old country house and a family with three sons. This opening establishes a straightforward and relatable context for the reader.

Character Introduction: The first two brothers are characterized by their intelligence and knowledge, while Hans Clodhopper is introduced as the underdog, lacking apparent accomplishments but having a carefree and unconventional approach to life.

Plot Development: The narrative follows the brothers‘ expedition to win the princess’s favor, establishing a clear goal and conflict (the competition for the princess’s hand). The story primarily unfolds through a series of encounters and conversations, highlighting the contrast between Hans Clodhopper and his brothers.

Climax and Resolution: The climactic scene occurs during the suitors‘ meeting with the princess, where Hans’s quick wit and unconventional thinking outshine his brothers‘ rehearsed speeches. The resolution is Hans’s unexpected success, marrying the princess and becoming king, subverting expectations and rewarding his ingenuity.

Character Portrayal

Hans Clodhopper: Hans is portrayed as naïve but resourceful, using humor and lateral thinking to navigate situations. His character challenges traditional notions of intelligence and capability, as his unpretentiousness and adaptability become his strengths.

The Brothers: They embody traditional, academic knowledge and preparation, representing societal expectations of intelligence and success.

The Princess: The princess is a gatekeeper figure, assessing suitors based on their conversational skills, illustrating the story’s theme of valuing wit and presence over rote memorization.

Language Use

Dialogue and Humor: The dialogue is light-hearted, with comedic exchanges that emphasize Hans’s cleverness and the absurdity of the situation. Humor is often derived from misunderstandings or the juxtaposition of the ridiculous (a crow and wooden shoe) against the formal setting of the court.

Repetition and Rhythm: Repeated phrases like “Halloo, here I come,” create rhythm and build anticipation, while also characterizing Hans as unbothered and carefree. The repetition highlights the contrast between the brothers’ solemnity and Hans’s lightheartedness.

Thematic Elements

Subversion of Expectations: The tale subverts the traditional fairytale trope of the hero being a noble or classically educated figure. Instead, it champions lateral thinking and humor.

Critique of Authority and Knowledge: The story critiques the reliance on memorized knowledge and conventional wisdom. The clerks and alderman represent bureaucratic rigidity, which Hans circumvents with wit. By highlighting the failures of institutionalized knowledge (the brothers‘ inability to speak despite their knowledge), the story suggests the value of adaptability and creativity.

Class and Social Commentary: Hans’s rise to royalty from a humble background underscores a theme of social mobility and critiques class-based assumptions about worth and ability.

Overall, “Hans Clodhopper” leverages humor and an unconventional protagonist to deliver a narrative that celebrates wit and individuality, providing a satirical take on societal values and norms. Through its structure and language, the fairy tale both entertains and offers subtle critiques of authority, education, and the pursuit of status.


Information for scientific analysis

Fairy tale statistics
Value
TranslationsDE, EN, DA, ES, FR, IT, NL
Readability Index by Björnsson28.9
Flesch-Reading-Ease Index83.4
Flesch–Kincaid Grade-Level5.4
Gunning Fog Index7.8
Coleman–Liau Index8.4
SMOG Index8.6
Automated Readability Index5.5
Character Count7.250
Letter Count5.434
Sentence Count88
Word Count1.321
Average Words per Sentence15,01
Words with more than 6 letters183
Percentage of long words13.9%
Number of Syllables1.689
Average Syllables per Word1,28
Words with three Syllables76
Percentage Words with three Syllables5.8%
Questions, comments or experience reports?

Privacy Policy.

The best fairy tales

Copyright © 2025 -   Legal Notice | Privacy Policy |All rights reserved Powered by childstories.org

Keine Internetverbindung


Sie sind nicht mit dem Internet verbunden. Bitte überprüfen Sie Ihre Netzwerkverbindung.


Versuchen Sie Folgendes:


  • 1. Prüfen Sie Ihr Netzwerkkabel, ihren Router oder Ihr Smartphone

  • 2. Aktivieren Sie ihre Mobile Daten -oder WLAN-Verbindung erneut

  • 3. Prüfen Sie das Signal an Ihrem Standort

  • 4. Führen Sie eine Netzwerkdiagnose durch